Slum Lords

The superrich make lousy neighbors—
they buy a house and tear it down
and build another, twice as big, and leave.
They're never there; they own so many
other houses, each demands a visit.
Entire neighborhoods called fashionable,
bustling with servants and masters, such as
Louisburg Square in Boston or Bel Air in L.A.,
are districts now like Wall Street after dark
or Tombstone once the silver boom went bust.
The essence of superrich is absence.
They like to demonstrate they can afford
to be elsewhere. Don't let them in.
Their riches form a kind of poverty.

The Light Above Cities

Sitting in darkness,
I see how the light of the city
fills the clouds, rosewater light
poured into the sky
like the single body we are. It is the sum
of a million lives; a man drinking beer
beneath a light bulb, a dancer spinning
in a fluorescent room, a girl reading a book
beneath a lamp.

Yet there are others — astronomers,
thieves, lovers — whose work is only done
in darkness. Sometimes
I don't want to show these poems
to anyone, sometimes
I want to remain hidden, deep in the coals
with the one who pulls the stars
through a telescope's glass, the one who listens
for the click of the lock, the one
who kisses softly a woman's eyes.

A Girl in Milwaukee and a Girl in Brooklyn

My wife is talking on the phone in Milwaukee
To her girlfriend in Brooklyn.
But, in the middle of all that, my wife has to go pee.
And it turns out that the girl in Brooklyn,
At the very same time, also has to go pee.
So they discuss this for a moment,
And they're both very intelligent people.
They decide to set their phones down and go to the bathroom
(This was back when people set their phones down).
So they do this, and now we have a live telephone line open
Between Milwaukee and Brooklyn
With no one speaking through it for about two minutes as
A girl in Milwaukee and a girl in Brooklyn go to the bathroom.

Man Writes Poem

This just in a man has begun writing a poem
in a small room in Brooklyn. His curtains
are apparently blowing in the breeze. We go now
to our man Harry on the scene, what's

the story down there Harry? "Well Chuck
he has begun the second stanza and seems
to be doing fine, he's using a blue pen, most
poets these days use blue or black ink so blue

is a fine choice. His curtains are indeed blowing
in a breeze of some kind and what's more his radiator
is 'whistling' somewhat. No metaphors have been written yet,
but I'm sure he's rummaging around down there

in the tin cans of his soul and will turn up something
for us soon. Hang on—just breaking news here Chuck,
there are 'birds singing' outside his window, and a car
with a bad muffler has just gone by. Yes ... definitely

a confirmation on the singing birds." Excuse me Harry
but the poem seems to be taking on a very auditory quality
at this point wouldn't you say? "Yes Chuck, you're right,
but after years of experience I would hesitate to predict

exactly where this poem is going to go. Why I remember
being on the scene with Frost in '47, and with Stevens in '53,
and if there's one thing about poems these days it's that
hang on, something's happening here, he's just compared the curtains

to his mother, and he's described the radiator as 'Roaring deep
with the red walrus of History.' Now that's a key line,
especially appearing here, somewhat late in the poem,
when all of the similes are about to go home. In fact he seems

a bit knocked out with the effort of writing that line,
and who wouldn't be? Looks like ... yes, he's put down his pen
and has gone to brush his teeth. Back to you Chuck." Well
thanks Harry. Wow, the life of the artist. That's it for now,

but we'll keep you informed of more details as they arise.

Police

The police arrived early; I woke and heard
their motor running.
I was up before he was out of the car.
I was dressed before he was fully up the sidewalk
to the house.
I had descended the stairs just as his fist
hit the door.
I opened the door full upon him
shaking the last disheveled hair down.
I tried to appear indifferent, as if I had
been up for hours,
as if I had been myself on the job all night,
as if I knew already what it was he would say,
and that I perfectly understood
and forgave him entirely.
"We have one of your dogs in the trap this morning,"
he said, "And I must issue you another citation."
"Yes, I'm sorry about that," I said,
"She slipped away last night.
I was going to call you but I thought she would come
back."
I was lying, really, I had not known
any of the dogs had left,
but this had happened so often I expected it.
It was part of living in Crete, Nebraska.
I think the police liked picking the dogs up.
It gave them a chance to ride in the car with a dog.
Otherwise they are not allowed.
Riding with a dog can be quite a pleasure.
I have often done it myself.

For John Berryman

You're dead, what can I do for you?
I am not unsympathetic;
I thought about you often enough
though we never spoke together
but once when I shied away,
feeling something that I fought
in me too-and came out with this
manner of living, by living.

It is depressing to live
but to kill myself in protest
is to assume there is something
to life withheld from me, yet
who withholds it? Think about it.
What is the answer?

But suicide is not so wrong
for one who thought and prayed
his way toward it. I wish, though,
I had known sooner, to have
helped you go on living,
as I do, half a suicide;
the need defended by the other half
that thinks to live in that knowledge
is praiseworthy.

Frankenstein

The monster has escaped from the dungeon
where he was kept by the Baron,
who made him with knobs sticking out from each side of his
neck
where the head was attached to the body
and stitching all over
where parts of cadavers were sewed together.

He is pursued by the ignorant villagers,
who think he is evil and dangerous because he is ugly
and makes ugly noises.
They wave firebrands at him and cudgels and rakes,
but he escapes and comes to the thatched cottage
of an old blind man playing on the violin Mendelssohn's "Spring
Song."

Hearing him approach, the blind man welcomes him:
"Come in, my friend," and takes him by the arm.
"You must be weary," and sits him down inside the house.
For the blind man has long dreamed of having a friend
to share his lonely life.

The monster has never known kindness-the Baron was cruel-
but somehow he is able to accept it now,
and he really has no instincts to harm the old man,
for in spite of his awful looks he has a tender heart:
Who knows what cadaver that part of him came from?

The old man seats him at table, offers him bread,
and says, "Eat, my friend." The monster
rears back roaring in terror.
"No, my friend, it is good. Eat-gooood"
and the old man shows him how to eat,
and reassured, the monster eats
and says, "Eat-gooood,"
trying out the words and finding them good too.

The old man offers him a glass of wine,
"Drink, my friend. Drink-goood."
The monster drinks, slurping horribly, and says,
"Drink-goood," in his deep nutty voice
and smiles maybe for the first time in his life.

Then the blind man puts a cigar in the monster's mouth
and lights a large wooden match that flares up in his face.
The monster, remembering the torches of the villagers,
recoils, grunting in terror.
"No, my friend, smoke-goood,"
and the old man demonstrates with his own cigar.
The monster takes a tentative puff
and smiles hugely, saying, "Smoke-goood,"
and sits back like a banker, grunting and puffing.

Now the old man plays Mendelssohn's "Spring Song" on the
violin
while tears come into our dear monster's eyes
as he thinks of the stones of the mob, the pleasures of mealtime,
the magic new words he has learned
and above all of the friend he has found.

It is just as well that he is unaware-
being simple enough to believe only in the present-
that the mob will find him and pursue him
for the rest of his short unnatural life,
until trapped at the whirlpool's edge
he plunges to his death.

Martha Stewart Living

A man at the Dominion was looking long and hard
at chicken breasts, first at economy trays
then at smaller portions, finally hefting the smaller
and saying to the woman nudging his rear, 'Do you suppose
these are free-range chickens?' The woman shouldered
him aside. She was in a hurry, she said, and in no mood
for asinine chit-chat. 'But no,' she said, scurrying away,
'I don't suppose those are free-range. I suppose those
are dead chickens.' At which point, or actually about thirty
seconds later, the man said to me, 'Some days I am happy
I never married.'

People Who Take Care

People who take care of people
get paid less than anybody
people who take care of people
are not worth much
except to people who are
sick, old, helpless, and poor
people who take care of people
are not important to most other people
are not respected by many other people
come and go without much fuss
unless they don’t show up
when needed
people who make more money
tell them what to do
never get shit on their hands
never mop vomit or wipe tears
don’t stand in danger
of having plates thrown at them
sharing every cold
observing agonies
they cannot tell at home
people who take care of people
have a secret
that sees them through the double shift
that moves with them from room to room
that keeps them on the floor
sometimes they fill a hollow
no one else can fill
sometimes through the shit
and blood and tears
they go to a beautiful place, somewhere
those clean important people
have never been.

It's a Living

it's called customer service
trying to help my fellow man
make sense of the medical insurance
some slick carpetbagging agent
talked him into buying

there are no easy answers
like today
the guy on the phone
was speaking with restraint
holding on to his dignity
but i know begging when i hear it
his voice cracked as he told me
the doctor tending to his dying wife
was getting phone calls from one
of our case managers
being pressured to get her
released from the hospital

please he said
please ask them to stop
she's in so much pain
my wife my best friend
she's in a lot of pain and
there's nothing they can do
please stop the phone calls

i tell him he's got us mixed up
with someone else
there is no record
of any phone calls
in his wife's file
but i know better

i want to put him on hold
go find the sterile room with
white walls where faceless people
hold jelly donuts gripped
tight in their pudgy hands
as they put dollar signs
on the way we die

i want to stick my head inside
remind them that
sooner or later we all
finish the race
sometimes it ain't too pretty
but in the end
if we're lucky
we'll have the love
of a precious few
maybe the ability to stare
death in the eye
so let this one go
just leave her be

but instead i assure
the guy i'll do my best
to find out what's going on
wait for him to hang up
decide to take my break
10 minutes early

times like this i wish
i'd taken up smoking

The School

On one side the high school, on the other
grades one through seven, the purple-curtained
auditorium shrank and grew shabbier
each August we came back. Mr. Whitt one year
decided Charles Tomlinson, Slick King, Dwayne
Burchett, Bobby Peaks, and Big Face Cather
could be a basketball team. They practiced
on a rocky, red-dirt court with a basket
and some boards on a post. They drove to games
—always at the other school—in Slick's Ford.
Uniforms were jeans and T-shirts. Big Face
and Bobby played barefoot. They lost by scores
like ten to ninety-three, unaccustomed to such space,
wooden floors, lights, adults calling them names.

How Many Nights
Galway Kinnell

How many nights
have I lain in terror,
O Creator Spirit, Maker of night and day,

only to walk out
the next morning over the frozen world
hearing under the creaking of snow
faint, peaceful breaths...
snake,
bear, earthworm, ant...

and above me
a wild crow crying 'yaw yaw yaw'
from a branch nothing cried from ever in my life.

Poem in Thanks
Thomas Lux

Lord Whoever, thank you for this air
I'm about to in- and exhale, this hutch
in the woods, the wood for fire,
the light-both lamp and the natural stuff
of leaf-back, fern, and wing.
For the piano, the shovel
for ashes, the moth-gnawed
blankets, the stone-cold water
stone-cold: thank you.
Thank you, Lord, coming for
to carry me here-where I'll gnash
it out, Lord, where I'll calm
and work, Lord, thank you
for the goddamn birds singing!

Welcome Morning


There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning,
in the spoon and the chair
that cry "hello there, Anne"
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.

All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds.

So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken.

The Joy that isn't shared, I've heard,
dies young.

Peonies

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises,
as the sun strokes them with his old, buttery fingers

and they open--
pools of lace,
white and pink--
and all day the black ants climb over them,

boring their deep and mysterious holes
into the curls,
craving the sweet sap,
taking it away

to their dark, underground cities--
and all day
under the shifty wind,
as in a dance to the great wedding,

the flowers bend their bright bodies,
and tip their fragrance to the air,
and rise,
their red stems holding

all that dampness and recklessness
gladly and lightly,
and there it is again--
beauty the brave, the exemplary,

blazing open.
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?

Do you also hurry, half-dressed and barefoot, into the garden,
and softly,
and exclaiming of their dearness,
fill your arms with the white and pink flowers,

with their honeyed heaviness, their lush trembling,
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?

Marengo

Out of the sump rise the marigolds.
From the rim of the marsh, muslin with mosquitoes,
rises the egret, in his cloud-cloth.
Through the soft rain, like mist, and mica,
the withered acres of moss begin again.

When I have to die, I would like to die
on a day of rain--
long rain, slow rain, the kind you think will never end.

And I would like to have whatever little ceremony there might be
take place while the rain is shoveled and shoveled out of the sky,

and anyone who comes must travel, slowly and with thought,
as around the edges of the great swamp.

A Good Son

He called home every once in a while
to tell his mother,
just so he could imagine how she would smile,
something or other

about a girlfriend
or work or a new movie he might have seen,
whatever was right.
He lied some, but mostly he stayed between

fantasy and fact.
He was a good son. He loved his mother a lot
and knew what she needed--
to live through him whether he lived or not.

Long Afternoon at the Edge of Little Sister Pond

As for life,
I'm humbled,
I'm without words
sufficient to say

how it has been hard as flint,
and soft as a spring pond,
both of these
and over and over,

and long pale afternoons besides,
and so many mysteries
beautiful as eggs in a nest,
still unhatched

though warm and watched over
by something I have never seen--
a tree angel, perhaps,
or a ghost of holiness.

Every day I walk out into the world
to be dazzled, then to be reflective.
It suffices, it is all comfort--
along with human love,

dog love, water love, little-serpent love,
sunburst love, or love for that smallest of birds
flying among the scarlet flowers.
There is hardly time to think about

stopping, and lying down at last
to the long afterlife, to the tenderness
yet to come, when
time will brim over the singular pond, and become forever,

and we will pretend to melt away into leaves.
As for death,
I can't wait to be the hummingbird,
can you?

When Death Comes

When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox;

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it's over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.

I don't want to end up simply having visited this world.

For the Falling Man

I see you again and again
tumbling out of the sky,
in your slate-grey suit and pressed white shirt.
At first I thought you were debris
from the explosion, maybe gray plaster wall
or fuselage but then I realized
that people were leaping.
I know who you are, I know
there's more to you than just this image
on the news, this ragdoll plummeting—
I know you were someone's lover, husband,
daddy. Last night you read stories
to your children, tucked them in, then curled into sleep
next to your wife. Perhaps there was small
sleepy talk of the future. Then,
before your morning coffee had cooled
you'd come to this; a choice between fire
or falling.
How feeble these words, billowing
in this aftermath, how ineffectual
this utterance of sorrow. We can see plainly
it's hopeless, even as the words trail from our mouths
—but we can't help ourselves—how I wish
we could trade them for something
that could really have caught you.

For the Falling Man

I see you again and again
tumbling out of the sky,
in your slate-grey suit and pressed white shirt.
At first I thought you were debris
from the explosion, maybe gray plaster wall
or fuselage but then I realized
that people were leaping.
I know who you are, I know
there's more to you than just this image
on the news, this ragdoll plummeting—
I know you were someone's lover, husband,
daddy. Last night you read stories
to your children, tucked them in, then curled into sleep
next to your wife. Perhaps there was small
sleepy talk of the future. Then,
before your morning coffee had cooled
you'd come to this; a choice between fire
or falling.
How feeble these words, billowing
in this aftermath, how ineffectual
this utterance of sorrow. We can see plainly
it's hopeless, even as the words trail from our mouths
—but we can't help ourselves—how I wish
we could trade them for something
that could really have caught you.

Mindful

Every day
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light.
It was what I was born for -
to look, to listen,

to lose myself
inside this soft world -
to instruct myself
over and over

in joy,
and acclamation.
Nor am I talking
about the exceptional,

the fearful, the dreadful,
the very extravagant -
but of the ordinary,
the common, the very drab,

the daily presentations.
Oh, good scholar,
I say to myself,
how can you help

but grow wise
with such teachings
as these -
the untrimmable light

of the world,
the ocean's shine,
the prayers that are made
out of grass?

Breathes There the Man with Soul So Dead

Breathes there the man with soul so dead,
Who never to himself hath said,
This is my day, election day!
Who heart hath ne'er within him burn'd,
As toward the polling place he turned
And there to promptly made his way—
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonour'd, and unsung.
from The Lay of the Last Minstrel

The Black Walnut Tree

My mother and I debate:
we could sell
the black walnut tree
to the lumberman,
and pay off the mortgage.
Likely some storm anyway
will churn down its dark boughs,
smashing the house. We talk
slowly, two women trying
in a difficult time to be wise.
Roots in the cellar drains,
I say, and she replies
that the leaves are getting heavier
every year, and the fruit
harder to gather away.
But something brighter than money
moves in our blood-an edge
sharp and quick as a trowel
that wants us to dig and sow.
So we talk, but we don't do
anything. That night I dream
of my fathers out of Bohemia
filling the blue fields
of fresh and generous Ohio
with leaves and vines and orchards.
What my mother and I both know
is that we'd crawl with shame
in the emptiness we'd made
in our own and our fathers' backyard.
So the black walnut tree
swings through another year
of sun and leaping winds,
of leaves and bounding fruit,
and, month after month, the whip-
crack of the mortgage.

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild gees, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting-
over and over announcing your place
in the family of things.

Mrs. Sullivan

"Function follows form,"
Said Louis Sullivan one warm
Evening in Chicago drinking beer.
His wife said, "Dear,
I'm sure that what you meant
Is that form should represent
Function. So it's function that should be followed."
Sullivan swallowed
And looked dimly far away
And said, "Okay,
Form follows function, then."
He said it again,
A three-word spark
Of modern arch-
Itectural brilliance
That would dazzle millions.
"Think I should write it down?"
He asked with a frown.
"Oh yes," she said, "and here's a pencil."
He did and soon was influential.

Living By Kindness

Strange things happen in the mind —
like the time I stopped under a streetlight
to write on an envelope a chance thought
furrowing my head —"we haven't all
killed each other yet"— and then went on
through the dark streets of my Idaho city
trudging coal dust and snow.

Next day at the lumber yard, I caught
a clerk glancing at me sideways.
Then I remembered the envelope
in my heart — pocket, its message
bold as a badge: "we haven't
all killed each other yet."

He was good to me.
Sliding a pine plank off the rack
so clean and sweet, so long, he said,
"You paid for an eight,
but all we got today is twelves."

Words have made nothing happen yet
except a free four feet of pine
and the cradle it made
and the child I held
under a light in the snow.

to lean back into it

like in a chair the color of the sun
as you listen to lazy piano music
and the aircraft overhead are not
at war.
where the last drink is as good as
the first
and you realize that the promises
you made yourself were
kept.
that's plenty.
that last: about the promises:
what's not so good is that the few
friends you had are
dead and they seem
irreplacable.
as for women, you didn't know enough
early enough
and you knew enough
too late.
and if more self-analysis is allowed: it's
nice that you turned out well-
honed,
that you arrived late
and remained generally
capable.
outside of that, not much to say
except you can leave without
regret.
until then, a bit more amusement,
a bit more endurance,
leaning back
into it.
like the dog who got across
the busy street:
not all of it was good
luck.

This Error is the Sign of Love

Man has to seek God in error and
forgetfulness and foolishness. —Meister Eckhart

This error is the sign of love,
the crack in the ice where the otters breathe,
the tear that saves a man from power,
the puff of smoke blown down the chimney one morning, and the
widower sighs and gives up his loneliness,
the lines transposed in the will so the widow must scatter
coins from the cliff instead of ashes and she marries
again, for love,
the speechlessness of lovers that forces them to leave it alone
while it sends up its first pale shoot like an onion
sprouting in the pantry,
this error is the sign of love.

The leak in the nest, the hole in the coffin,
the crack in the picture plate a young girl fills with her
secret life to survive the grade school,
the retarded twins who wander house to house, eating,
'til the neighbors have become neighbors.
The teacher's failings in which the students ripen,
Luther's fit in the choir, Darwin's dyspepsia, boy children
stuttering in the gunshop,
boredom, shyness, bodily discomforts like long rows of white
stones at the edge of the highway,
blown head gaskets, darkened choir lofts, stolen kisses,
this error is the sign of love.

The nickel in the butter churn, the farthing in the cake,
the first reggae rhythms like seasonal cracks in a government
building,
the rain-damaged instrument that taught us the melodies of black
emotion and red and yellow emotion,
the bubble of erotic energy escaped from a marriage and a week
later the wife dreams of a tiger,
the bee that flies into the guitar and hangs transfixed in the
sound of sound 'til all his wetness leaves him
and he rides that high wind to the Galapagos,
this error is the sign of love.

The fault in the sea floor where the fish linger and mate,
the birthmark that sets the girl apart and years later she alone
of the sisters finds her calling,
Whitman's idiot brother whom he fed like the rest of us,
those few seconds Bréton fell asleep and dreamed of a pit of sand
with the water starting to flow,
the earth's wobbling axis uncoiling seasons—seeds that need
six months of drought, flowers shaped for the tongues
of moths, summertime
and death's polarized light caught beneath the surface
of Florentine oils,
this error is the sign of love.

The beggar buried in the cathedral,
the wisdom-hole in the façade of the library,
the corners of the garden that are not harvested,
the hail storm in a South Dakota town that started the
Farmers' Cooperative in 1933,
the Sargasso Sea that gives false hope to sailors and they sail
on and find a new world,
the picnic basket that slips overboard and leads to the invention
of the lobster trap,
the one slack line in a poem where the listener relaxes
and suddenly the poem is in your heart like a fruit
wasp in an apple,
this error is the sign of love!

The Journey

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice—
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world
determined to do
the only thing you could do—
determined to save
the only life you could save.

Clam

Each one is a small life, but sometimes long, if its
place in the universe is not found out. Like us, they
have a heart and a stomach; they know hunger, and
probably a little satisfaction too. Do not mock them
for their gentleness, they have a muscle that loves
being alive. They pull away from the light. They pull
down. They hold themselves together. They refuse to
open.

But sometimes they lose their place and are tumbled
shoreward in a storm. Then they pant, they fill
with sand, they have no choice but must open the
smallest crack. Then the fire of the world touches
them. Perhaps, on such days, they too begin the
terrible effort of thinking, of wondering who, and
what, and why. If they can bury themselves again in
the sand they will. If not, they are sure to perish,
though not quickly. They also have resources beyond
the flesh; they also try very hard not to die.

Halley's Comet

Miss Murphy in first grade
wrote its name in chalk
across the board and told us
it was roaring down the stormtracks
of the Milky Way at frightful speed
and if it wandered off its course
and smashed into the earth
there'd be no school tomorrow.
A red-bearded preacher from the hills
with a wild look in his eyes
stood in the public square
at the playground's edge
proclaiming he was sent by God
to save every one of us,
even the little children.
"Repent, ye sinners!" he shouted,
waving his hand-lettered sign.
At supper I felt sad to think
that it was probably
the last meal I'd share
with my mother and my sisters;
but I felt excited too
and scarcely touched my plate.
So mother scolded me
and sent me early to my room.
The whole family's asleep
except for me. They never heard me steal
into the stairwell hall and climb
the ladder to the fresh night air.

Look for me, Father, on the roof
of the red brick building
at the foot of Green Street —
that's where we live, you know, on the top floor.
I'm the boy in the white flannel gown
sprawled on the coarse gravel bed
searching the starry sky,
waiting for the world to end.

Weeds

In gardens, it's the unwanted
babies that grow best and biggest,
swarming our beds of frail
legitimate darlings with roots
like wire and crude, bright flower-heads.

They seem oblivious to the fury of steel prongs
earthquaking around them.
If they fall today, tomorrow
they'll stand all the greener.

Too soon, the beautiful lives
we've trembled over with sprays
of pesticide, friendly stakes,
and watering-cans at sunset,
give in, leaving us helpless.

The weeds, the unfavoured ones,
stare at us hungrily,
and since it is hard to live
empty of love, we try
to smile; we learn to forgive them.

Late For Summer Weather

He has on
an old light grey Fedora
She a black beret

He a dirty sweater
She an old blue coat
that fits her tight

Grey flapping pants
Red skirt and
broken down black pumps

Fat Lost Ambling
nowhere through
the upper town they kick

their way through
heaps of
fallen maple leaves

still green-and
crisp as dollar bills
Nothing to do. Hot cha!

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

To Luck

In the cards and at the bend in the road
we never saw you
in the womb and in the crossfire
in the numbers
whatever you had your hand in
which was everything
we were told never to put
our faith in you
to bow to you humbly after all
because in the end there was nothing
else we could do
but not to believe in you
still we might coax you with pebbles
kept warm in the hand
or coins or the relics
of vanished animals
observances rituals
not binding upon you
who make no promises
we might do such things only
not to neglect you
and risk your disfavor
oh you who are never the same
who are secret as the day when it comes
you whom we explain
as often as we can
without understanding

Walking Home from Oak-Head

There is something
about the snow-laden sky
in the winter
in the late afternoon

that brings to the heart elation
and the lovely meaninglessness
of time.
Whenever I get home - whenever -

somebody loves me there.
Meanwhile
I stand in the same dark peace
as any pine tree,

or wander on slowly
like the still unhurried wind,
waiting,
as for a gift,

for the snow to begin
which it does
as first casually,
then, irrepressibly.

Wherever else I live -
in music, in words
in the fires of the heart,
I abide just as deeply

in this nameless, indivisible place,
this world,
which is falling apart now,
which is white and wild,

Which is faithful beyond all our expressions of faith,
our deepest prayers.
Don't worry, sooner or later I'll be home.
Red-cheeked from the roused wind,

I'll stand in the doorway
stamping my boots and slapping my hands,
my shoulders
covered with stars.

A little kingdom

A little kingdom
Where there had been
The brief glory
Of discipline.

The king in his palace
Knew of dangers.
There was a rumor
Of northern strangers,

Mere homeless pirates,
And yet a host,
Working nearer
Along the coast.

He meant to be ready.
He built a fort.
He kept arms burnished
In martial sport.

But he made it unlawful
To name the name
Of war and slaughter
Until it came.

He wanted his people
To love and increase
And be peaceful minded
In time of peace.

thoughts on being 71

having worn life like a red
flower,
I have reached here,
sitting in slippers and shorts while
listening to
Ravel.
time for a good cigar.
I note the wedding ring on one of
my fingers as I light
up.

also,
it's better now, death is closer,
I no longer have to look for it,
no longer have to challenge
it, taunt it, play with it.
it's right here with me
like a pet cat or a wall
calendar.

I've had a good run.
I can toss it in without regret.

odd, though, I feel no different
than I did at 35 or 47 or 62:
I am only truly conscious of my
age when I look into a
mirror:
ridiculous
baleful eyes, grinning
stupid mouth.

it's nice, my friend, the
lightning flashes about
me,
I've washed up on the golden
shore.
everything here is miracle,
a hard miracle,
as was what
preceded
this.

but there's nothing worse than
some old guy
talking about what he
did.

well, yes, there is:
a bunch of old guys talking about
it.

I stay away from them.
and you stay away from me.

that space is all we'll ever really
need.
any of
us.

the great escape

listen, he said, you ever seen a bunch of crabs in a
bucket?
no, I told him.
well, what happens is that now and then one crab
will climb up on top of the others
and begin to climb toward the top of the bucket,
then, just as he's about to escape
another crab grabs him and pulls him back
down.
really? I asked.
really, he said, and this job is just like that, none
of the others want anybody to get out of
here. that's just the way it is
in the postal service!
I believe you, I said.

just then the supervisor walked up and said,
you fellows were talking.
there is no talking allowed on this
job.

I had been there for eleven and one-half
years.

I got up off my stool and climbed right up the
supervisor
and then I reached up and pulled myself right
out of there.

it was so easy it was unbelievable.
but none of the others followed me.

and after that, whenever I had crab legs
I thought about that place.
I must have thought about that place
maybe 5 or 6 times

before I switched to lobster.

Titanic

Who does not love the Titanic?
If they sold passage tomorrow for that same crossing,
who would not buy?

To go down... We all go down, mostly
alone. But with crowds of people, friends, servants,
well fed, with music, with lights! Ah!

And the world, shocked, mourns, as it ought to do
and almost never does. There will be the books and movies
to remind our grandchildren who we were
and how we died, and give them a good cry.

Not so bad, after all. The cold
water is anaesthetic and very quick.
The cries on all sides must be a comfort.

We all go: only a few, first-class.

The Parade

How exhilarating it was to march
along the great boulevards
in the sunflash of trumpets
and under all the waving flags--
the flag of desire, the flag of ambition.

So many of us streaming along--
all of humanity, really--
moving in perfect sync,
yet each lost in the room of a private dream.

How stimulating the scenery of the world,
the rows of roadside trees,
the huge blue sheet of the sky.

How endless it seemed until we veered
off the broad turnpike
into a pasture of high grass,
heading toward the dizzying cliffs of mortality.

Generation after generation,
we shoulder forward
under the play of clouds
until we high-step off the sharp lip into space.

So I should not have to remind you
that little time is given here
to rest on a wayside bench,
to stop and bend to the wildflowers,
or to study a bird on a branch--

not when the young
keep shoving from behind,
not when the old are tugging us forward,
pulling on our arms with all their feeble strength.

Friendship After Love

After the fierce midsummer all ablaze
Has burned itself to ashes, and expires
In the intensity of its own fires,
There come the mellow, mild, St. Martin days
Crowned with the calm of peace, but sad with haze.
So after love has led us, till he tires
Of his own throes, and torments, and desires,
Comes large-eyed friendship: with a restful gaze,
He beckons us to follow, and across
Cool verdant vales we wander free from care.
Is it a touch of frost lies in the air?
Why are we haunted with a sense of loss?
We do not wish the pain back, or the heat;
And yet, and yet, these days are incomplete.

it's all right

small cheap rooms where you walk
down the hall to the
bathroom can seem romantic to
a young writer.
even the rejection slips are
amusing because you are sure that
you are
one of the best.

but while sitting there
looking across the room
at the portable typer
waiting for you on the table
you are really
in a sense
insane

as you wait for
one more night to arrive to sit and
type Immortal Words—but now you
just sit and think about it
on your first afternoon in a strange city.

looking over at the door you
almost
expect a beautiful woman to walk in.

being young
helps get you through
many senseless and terrible
days.

being old
does
too.

And the Word

I find things inside books
borrowed from the library—
foreign postcards, rose petals,
opera tickets, laundry lists,
and, once, a bloody piece of cloth.

Today, inside a volume
of Cid Corman's elegant poetry,
a snapshot—
a man in a dark nightclub
embracing a red-haired stripper.

The man grabs the woman
brashly about her waist,
displaying her nakedness
to the camera. The flash
illumines the man's flushed face,
his single-minded lust
as he bends to touch
his tongue to her nipple,

while she, arching her back,
coolly turns to the camera,
her face flooded with light,
as if asking, "So,
what do you think
about the book you're reading
now?"

Here and There

Here and there nightfall
without fanfare
presses down, utterly
expected, not an omen in sight.
Here and there a husband
at the usual time
goes to bed with his wife
and doesn't dream of other women.
Occasionally a terrible sigh
is heard, the kind that is
theatrical, to be ignored.
Or a car backfires
and reminds us of a car
backfiring, not of a gunshot.
Here and there a man says
what he means and people hear him
and are not confused.
Here and there a missing teenage girl
comes home unscarred.
Sometimes dawn just brings another
day, full of minor
pleasures and small complaints.
And when the newspaper arrives
with the world,
people make kindling of it
and sit together while it burns.

poetry readings

poetry readings have to be some of the saddest
damned things ever,
the gathering of the clansmen and clanladies,
week after week, month after month, year
after year,
getting old together,
reading on to tiny gatherings,
still hoping their genius will be
discovered,
making tapes together, discs together,
sweating for applause
they read basically to and for
each other,
they can't find a New York publisher
or one
within miles,
but they read on and on
in the poetry holes of America,
never daunted,
never considering the possibility that
their talent might be
thin, almost invisible,
they read on and on
before their mothers, their sisters, their husbands,
their wives, their friends, the other poets
and the handful of idiots who have wandered
in
from nowhere.

I am ashamed for them,
I am ashamed that they have to bolster each other,
I am ashamed for their lisping egos,
their lack of guts.

if these are our creators,
please, please give me something else:

a drunken plumber at a bowling alley,
a prelim boy in a four rounder,
a jock guiding his horse through along the
rail,
a bartender on last call,
a waitress pouring me a coffee,
a drunk sleeping in a deserted doorway,
a dog munching a dry bone,
an elephant's fart in a circus tent,
a 6 p.m. freeway crush,
the mailman telling a dirty joke

anything
anything
but
these.

In Paris with You

Don't talk to me of love. I've had an earful
And I get tearful when I've downed a drink or two.
I'm one of your talking wounded.
I'm a hostage. I'm maroonded.
But I'm in Paris with you.

Yes I'm angry at the way I've been bamboozled
And resentful at the mess that I've been through.
I admit I'm on the rebound
And I don't care where are we bound.
I'm in Paris with you.

Do you mind if we do not go to the Louvre,
If we say sod off to sodding Notre Dame,
If we skip the Champs Elysées
And remain here in this sleazy
Old hotel room
Doing this and that
To what and whom
Learning who you are,
Learning what I am.

Don't talk to me of love. Let's talk of Paris,
The little bit of Paris in our view.
There's that crack across the ceiling
And the hotel walls are peeling
And I'm in Paris with you.

Don't talk to me of love. Let's talk of Paris.
I'm in Paris with the slightest thing you do.
I'm in Paris with your eyes, your mouth,
I'm in Paris with ... all points south.
Am I embarrassing you?
I'm in Paris with you.

Flowers

Some men never think of it.
You did. You'd come along
And say you'd nearly brought me flowers
But something had gone wrong.

The shop was closed. Or you had doubts-
The sort that minds like ours
Dream up incessantly. You thought
I might not want your flowers.

It made me smile and hug you then.
Now I can only smile.
But, look, the flowers you nearly brought
Have lasted all this while.

a place in Philly

there's nothing like being young
and starving,
living in a roominghouse and
pretending to be a
writer
while other men are occupied
with their professions and
their possessions.
there's nothing like being
young and
starving,
listening to Brahms,
your belly sucked-in,
nary an ounce of
fat,
stretched out on the bed
in the dark,
smoking a rolled
cigarette
and working on the
last bottle of
wine,
the sheets of your
writing strewn across the
floor.
you have walked on and across
them,
your masterpieces, and
either
they'll be read in
hell,
or perhaps
gnawed at by the
curious
mice.
Brahms is the only
friend you have,
the only friend you
want,
him and the wine
bottle,
as you realize that
you will never
be a citizen of the
world,
and if you
live to be very
old
you still will never
be a citizen of the
world.
the wine and
Brahms mix well as
you watch the
lights
move across the
ceiling,
courtesy of
passing
automobiles.
soon you'll sleep
and
tomorrow there
certainly
will be
more
masterpieces.

Girlfriends

the women of the past keep
phoning.
there was another yesterday
arrived from out of
state.
she wanted to see
me.
I told her
"no."

I don't want to see
them,
I won't see them.
it would be
awkward
gruesome and
useless.

I know some people who can
watch the same movie
more than
once.

not me.
once I know the
plot
once I know the
ending
whether it's happy or
unhappy or
just plain
dumb,
then

for me
that movie is
finished
forever
and that's why
I refuse
to let
any of my
old movies play
over and over again
for
years.

My Dream
by Ogden Nash

Here is a dream.
It is my dream—
My own dream—
I dreamt it.
I dreamt that my hair was kempt,
Then I dreamt that my true love
unkempt it.

My Daughter at 14: Christmas Dance

Panic in your face, you write questions
to ask him. When he arrives,
you are serene, your fear
unbetrayed. How unlike me you are.

After the dance,
I see your happiness; he holds
your hand. Though you barely speak,
your body pulses messages I can read

all too well. He kisses you goodnight,
his body moving toward yours, and yours
responding. I am frightened, guard my
tongue for fear my mother will pop out

of my mouth. "He is not shy." You giggle,
a little girl again, but you tell me he
kissed you on the dance floor. "Once?"
I ask. "No, a lot."

We ride through the rain-shining 1 A.M.
streets. I bite back words which long
to be said, knowing I must not shatter your
moment, fragile as a spun-glass bird,

you, the moment, poised on the edge of
flight, and I, on the ground, afraid.

Failure

To pay for my father's funeral
I borrowed money from people
he already owed money to.
One called him a nobody.
No, I said, he was a failure.
You can't remember
a nobody's name, that's why
they're called nobodies.
Failures are unforgettable.
The rabbi who read a stock eulogy
about a man who didn't belong to
or believe in anything
was both a failure and a nobody.
He failed to imagine the son
and wife of the dead man
being shamed by each word.
To understand that not
believing in or belonging to
anything demanded a kind
of faith and buoyancy.
An uncle, counting on his fingers
my father's business failures—
a parking lot that raised geese,
a motel that raffled honeymoons,
a bowling alley with roving mariachis—
failed to love and honor his brother,
who showed him how to whistle
under covers, steal apples
with his right or left hand. Indeed,
my father was comical.
His watches pinched, he tripped
on his pant cuffs and snored
loudly in movies, where
his weariness overcame him
finally. He didn't believe in:
savings insurance newspapers
vegetables good or evil human
frailty history or God.
Our family avoided us,
fearing boils. I left town
but failed to get away.

The Tow Truck Driver's Story

You meet all kinds of people in this work.
You have to be polite, twenty-four hours
a day. It was a brutal winter night,
I'd worked since four a.m., finally coming in
to sleep when the phone rang, a guy calling
from up on Appleton ridge, saying
he needs a jump. I asked, "Can't it wait?
There's still snow on the roads, the plows aren't
All through. It'll take me three hours at least
to get there with the roads like this." "Ok,"
he said, "I'll wait." I went to bed an hour,
before he called, "It's an emergency."
The storm had eased as I headed out,
But the wind had been so bad, I had
To stop and climb over the drifts to knock
the snow off signs to see where to go,
a hard dark climb up to Appleton Ridge.
Over three hours to get to a lonely
country farmhouse, light glowing brightly.
Then a man in, I kid you not, a red
Satin smoking jacket comes out and waves.
I think he's waving to me, and wave back,
But it's a garage opener and out of the dark
A door rises, lit like a museum,
A car, glittering white and chrome beauty,
It was a 1954 Mercedes.
A Gull-Wing. You ever heard of them?
I think they only made ten of them.
Its doors lift up like a gull in flight.
I bet it was worth a million dollars.
I ask, "Are you going to take that out?"
"Oh, no, we just got back from Jamaica
I want a jump to make sure it's ok."
It starts like a dream, purrs dangerously.
"Oh good," he says and walks away, waving
his arm to close the door, never saying
a word, left me standing there in the snow.

Upon Seeing an Ultrasound Photo of an Unborn Child

Tadpole, it's not time yet to nag you
about college (though I have some thoughts
on that), baseball (ditto), or abstract
principles. Enjoy your delicious,
soupy womb-warmth, do some rolls and saults
(it'll be too crowded soon), delight in your early
dreams — which no one will attempt to analyze.
For now: may your toes blossom, your fingers
lengthen, your sexual organs grow (too soon
to tell which yet) sensitive, your teeth
form their buds in their forming jawbone, your already
booming heart expand (literally
now, metaphorically later); O your spine,
eyebrows, nape, knees, fibulae,
lungs, lips... But your soul,
dear child: I don't see it here, when
does that come in, whence? Perhaps God,
and your mother, and even I — we'll all contribute
and you'll learn yourself to coax it
from wherever: your soul, which holds your bones
together and lets you live
on earth. — Fingerling, sidecar, nubbin,
I'm waiting, it's me, Dad,
I'm out here. You already know
where Mom is. I'll see you more directly
upon arrival. You'll recognize
me — I'll be the tall-seeming, delighted
blond guy, and I'll have
your nose.

I had thought the tumors...

I had thought the tumors
on my spine would kill me but
the tumors on my head seem to be
extraordinary competitive this week.

For the past twenty or thirty years
I have eaten the freshest most
organic and colorful fruits and
vegetables I did not drink I
did drink one small glass of red
wine with dinner nearly every day
as suggested by The New York Times
I should have taken longer walks but
obviously I have done something wrong

I don't mean morally or ethically or
geographically I did not live near
a nuclear graveyard or under a coal
stack nor did I allow my children
to do so I lived in a city no worse
than any other great and famous city I
lived one story above a street that led
cabs and ambulances to the local hospital
that didn't seem so bad and was
often convenient

In any event I am
already old and therefore a little ashamed
to have written this poem full
of complaints against mortality which
biological fact I have been constructed for
to hand on to my children and grand—
children as I received it from my
dear mother and father and beloved
grandmother who all
ah if I remember it
were in great pain at leaving
and were furiously saying goodbye

Call It Quits

If you're not a movie mogul, rock star, or President
if you're not a CEO sitting on a billion in the bank,
no on will answer your e-mails, phone calls or letters.
You'll be helpless, hopeless, too old, too young,
in too much pain, the wrong color, some unacceptable
sex, a non-believer in some religion people kill for.
You could keep struggling to see through everyone's
skin to their slick, writhing guts, including your own.
Or, you could call it quits, and slip into the unknown,
inexhaustible, frothing teeth of the sea that turns us
all to brine, sweet salt of the universe.

Medicine

For W.S., MD

The practice of medicine
Is not what it was
In my grandfather's time.

I remember him telling me
Of weeks that went by
When he would be paid
Only in chickens
Or only in potatoes;

Of treating the families
Of striking miners
In Montrose or Telluride
Who could not pay at all;
Of delivering babies
(A total of twenty)
For a tribe of dirt farmers
Who paid one new-laid egg
Or a cup of springwater:

After sweating a breech birth
And twins at that,
At five in the morning
It was mighty good water.

When, fifty years later,
He came back to the mountains
Middle-aged babies
Ran up in the street
Crying, Doc! Doc! eyes streaming,
Tried to kiss his old hands.

No, the practice of medicine
Is not what it was,
But it has its moments:

That morning in surgery
I regained consciousness
A little too early
And found the doctor
Kissing my hand,
Whispering, whispering
It's all right darling,
You're going to live.

Us Together

I do not like anything the way I
like you in your underwear I like you
and in your party clothes o my in your
party clothes and with nothing on at all
you do not need to wear a thing at all
for me to like you and you may talk or
not talk I like you either way nothing
makes me feel so nearly at home on Earth
as just to be with you and say nothing.

Choosing A Dog

"It's love," they say. You touch
the right one and a whole half of the universe
wakes up, a new half.

Some people never find
that half, or they neglect it or trade it
for money or success and it dies.

The faces of big dogs tell, over the years,
that size is a burden: you enjoy it for awhile
but then maintenance gets to you.

When I get old I think I'll keep, not a little
dog, but a serious dog,
for the casual, drop-in criminal —

My kind of dog, unimpressed by
dress or manner, just knowing
what's really there by the smell.

Your good dogs, some things that they hear
they don't really want you to know —
it's too grim or ethereal.

And sometimes when they look in the fire
they see time going on and someone alone,
but they don't say anything.

Jeopardy

Sometimes when I phoned
my mother back in Tulsa, she would
say, "Hold on a minute, Ron, let me
turn this thing down," the thing
her TV, and she would look
around for the remote and then fumble
with its little buttons as an irritation
mounted in me and an impatience
and I felt like blurting out "You watch TV
too much and it's too loud and why
don't you go outside" because I was
unable to face my dread of her aging
and my heart made cold toward her
by loving her though not wanting to give up
my life and live near her so she
could see me every day and not
just hear me, which is why she
turned the TV down and said,
"Okay, that's better," then sometimes
launched into a detailed account
of whatever awful show she was watching.

I needed to talk to my sister...

~

I needed to talk to my sister
talk to her on the telephone I mean
just as I used to every morning
in the evening too whenever the
grandchildren said a sentence that
clasped both our hearts

I called her phone rang four times
you can imagine my breath stopped then
there was a terrible telephonic noise
a voice said this number is no
longer in use how wonderful I
thought I can
call again they have not yet assigned
her number to another person despite
two years of absence due to death

I Love the Way Men Crack

I love the way men crack
open when their wives leave them,
their sheaths curling back like the split
shells of roasted chestnuts, exposing
the sweet creamy meat. They call you
and unburden their hearts the way a woman
takes off her jewels, the heavy
pendant earrings, the stiff lace gown and corset,
and slips into a loose kimono.
It's like you've both had a couple shots
of really good scotch and snow is falling
in the cone of light under the street lamp—
large slow flakes that float down in the amber glow.

They tell you all the pain pressed into their flat chests,
their disappointed penises, their empty hands.
As they sift through the betrayals and regrets,
their shocked realization of how hard they tried,
the way they shouldered the yoke
with such stupid good faith—
they grow younger and younger. They cry
with the unselfconciousness of children.
When they hug you, they cling.
Like someone who's needed glasses for a long time—
and finally got them-they look around
just for the pleasure of it: the detail,
the sharp edges of what the world has to offer.

And when they fall in love again, it only gets better.
Their hearts are stuffed full as éclairs
and the custard oozes out at a touch.
They love her, they love you, they love everyone.
They drag out all the musty sorrows and joys
from the basement where they've been shoved
with mitts and coin collections. They tell you
things they've never told anyone.
Fresh from loving her, they come glowing
like souls slipping into the bodies
of babies about to be born.

Then a year goes by. Or two.
Like broken bones, they knit back together.
They grow like grass and bushes and trees
after a forest fire, covering the seared earth.
They landscape the whole thing, plant like mad
and spend every weekend watering and weeding.

Testament

So often it has been displayed to us, the hourglass
with its grains of sand drifting down,
not as an object in our world
but as a sign, a symbol, our lives
drifting down grain by grain,
sifting away — I'm sure everyone must
see this emblem somewhere in the mind.
Yet not only our lives drift down. The stuff
of ego with which we began, the mass
in the upper chamber, filters away
as love accumulates below. Now
I am almost entirely love. I have been
to the banker, the broker, those strange
people, to talk about unit trusts,
annuities, CDs, IRAs, trying
to leave you whatever I can after
I die. I've made my will, written
you a long letter of instructions.
I think about this continually.
What will you do? How
will you live? You can't go back
to cocktail waitressing in the casino.
And your poetry? It will bring you
at best a pittance in our civilization,
a widow's mite, as mine has
for forty-five years. Which is why
I leave you so little. Brokers?
Unit trusts? I'm no financier doing
the world's great business. And the sands
in the upper glass grow few. Can I leave
you the vale of ten thousand trilliums
where we buried our good cat Pokey
across the lane to the quarry?
Maybe the tulips I planted under
the lilac tree? Or our red-bellied
woodpeckers who have given us so
much pleasure, and the rabbits
and the deer? And kisses? And
love-makings? All our embracings?
I know millions of these will be still
unspent when the last grain of sand
falls with its whisper, its inconsequence,
on the mountain of my love below.

Haberdasher

Over the course of decades style changed:
Your regular Joe stopped wearing hats,
Polished brogues, ties, starched white shirts.
America became casual and drove away

From the store on the corner of First and Main.
Even Sunday faded. Over his after-hours Scotch
The retailer pleaded to his pleated wife:
"What can I do when gentlemen no longer

Are gentlemen? What can I say to a world of rubes?"
Each morning he tied a perfect Windsor knot.
Later, he stared disconsolately out the windows
At the busy cars, brightened when someone came in.
"How could you buy a suit from a stranger?"
He asked himself. Each advertised day replied.

The Dream

Once, years after your death, I dreamt
you were alive and that I'd found you
living once more in the old apartment.
But I had taken a woman up there
to make love to in the empty rooms.
I was angry at you who'd borne and loved me
and because of whom I believe in heaven.
I regretted your return from the dead
and said to myself almost bitterly,
"For godsakes, what was the big rush,
couldn't she wait one more day?"

And just so daily somewhere Messiah
is shunned like a beggar at the door because
someone has something he wants to finish
or just something better to do, something
he prefers not to put off forever
—some little pleasure so deeply wished
that Heaven's coming has to seem bad luck
or worse, God's intruding selfishness!

But you always turned Messiah away
with a penny and a cake for his trouble
—because wash had to be done, because
who could let dinner boil over and burn,
because everything had to be festive for
your husband, your daughters, your son.

Shelter


It's noisy here. The kids run around, screaming, their mothers slap them and
they cry. I have the bottom bunk, I hang a blanket from the bed above me for
privacy. In the middle of the night it's finally quiet. I lie awake and think
about goals. Sheryl, the worker, says I need some. She says What do you want
Rita? and I say peace and quiet, maybe someplace sunnier than here. I say I'd
like to have a dog. A big one, a retriever or shepherd with long soft fur. What
else? she says. I remember my dad's garden, how I used to like sitting with
him while he weeded, putting my toes in the dirt. He grew tomatoes, corn, peas.
There was a rosebush, too, once he let me pick a big rose and there was a spider
in it, I got scared and shook it and the petals went all over me and he laughed.
He showed me how to put my thumb over the hoze nozzle so it sprayed. Sheryl
says I could garden. I think about the coleus Jimmy and I had, how I would take
cuttings, put them in water and they'd grow more flowers. But then they all
died. At night I listen to everybody sleep around me, some people snoring, some
starting to say something and then stopping. It's pitch-dark behind the
blanket. I try to see it sunny, a yard with a dog lying down under a tree. I
try to smell warm tomatoes. Curl my toes in the sheets. Try to sleep.

You made crusty bread rolls...

You made crusty bread rolls filled with chunks of brie
And minced garlic and drizzled with olive oil
And baked them until the brie was bubbly
And we ate them thoughtfully, our legs coiled
Together under the table And then salmon with dill
And lemon and whole-wheat cous cous
Baked with garlic and fresh ginger, and a hill
Of green beans and carrots roasted with honey and tofu.
it was beautiful, the candles and linens and silver,
The winter sun setting on our snowy street,
Me with my hand on your leg, you, my lover,
In your jeans and green T-shirt and beautiful feet.
How simple life is. We buy a fish. We are fed.
We sit close to each other, we talk and then we go to bed.

Montana

A great many small failures have brought me to this
Dark room where, against the teachings of the church,
I lie in the forgiving dark with you and we kiss
And loosen our clothing and feel the hot urge
Toward nakedness, man's natural destination,
The slow unbuttoning, unclasping, until at last
We lie revealed. The fine sensation
Of you on my skin. A slender woman as vast
As Montana and I am now heading west
On a winding road through the dark contours
Of mountains and into a valley, coming to rest
In a meadow that I recognize as yours.
This is what I drove across North Dakota to find:
This sweet nest. And put all my failed life behind.

Susanna

Nobody in the hospital
Could tell the age
Of the old woman who
Was called Susanna

I knew she spoke some English
And that she was an immigrant
Out of a little country
Trampled by armies

Because she had no visitors
I would stop by to see her
But she was always sleeping

All I could do
Was to get out her comb
And carefully untangle
The tangles in her hair

One day I was beside her
When she woke up
Opening small dark eyes
Of a surprising clearness

She looked at me and said
You want to know the truth?
I answered Yes

She said it's something that
My mother told me

There's not a single inch
Of our whole body
That the Lord does not love

She then went back to sleep.

The beauty of the heart

is the lasting beauty:

its lips give to drink

of the water of life.
Truly it is the water,

that which pours,

and the one who drinks.

All three become one when

your talisman is shattered.

That oneness you can't know

by reasoning.

There is a community of the spirit.
Join it, and feel the delight
of walking in the noisy street
and being the noise.

Drink all your passion,
and be a disgrace.

Close both eyes
to see with the other eye.

Open your hands,
if you want to be held.

Sit down in the circle.

Quit acting like a wolf, and feel
the shepherd's love filling you.

At night, your beloved wanders.
Don't accept consolations.

Close your mouth against food.
Taste the lover's mouth in yours.

You moan, "She left me." "He left me."
Twenty more will come.

Be empty of worrying.
Think of who created thought!

Why do you stay in prison
when the door is so wide open?

Move outside the tangle of fear-thinking.
Live in silence.

Flow down and down in always
widening rings of being.

All day I think about it, then at night I say it.
Where did I come from, and what am I supposed to be doing?
I have no idea.
My soul is from elsewhere, I'm sure of that,
and I intend to end up there.
This drunkenness began in some other tavern.
When I get back around to that place,
I'll be completely sober. Meanwhile,
I'm like a bird from another continent, sitting in this aviary.
The day is coming when I fly off,
but who is it now in my ear who hears my voice?
Who says words with my mouth?
Who looks out with my eyes? What is the soul?
I cannot stop asking.
If I could taste one sip of an answer,
I could break out of this prison for drunks.
I didn't come here of my own accord, and I can't leave that way.
Whoever brought me here, will have to take me home.
This poetry. I never know what I'm going to say.
I don't plan it.
When I'm outside the saying of it,
I get very quiet and rarely speak at all.

Be with those who help your being.
Don't sit with indifferent people, whose breath
comes cold out of their mouths.
Not these visible forms, your work is deeper.
A chunk of dirt thrown in the air breaks to pieces.
If you don't try to fly,
and so break yourself apart,
you will be broken open by death,
when it's too late for all you could become.
Leaves get yellow. The tree puts out fresh roots
and makes them green.
Why are you so content with a love that turns you yellow?

Rumi

My Burning Heart

My heart is burning with love

All can see this flame

My heart is pulsing with passion

like waves on an ocean

my friends have become strangers

and I’m surrounded by enemies

But I’m free as the wind
no longer hurt by those who reproach me

I’m at home wherever I am

And in the room of lovers

I can see with closed eyes
the beauty that dances

Behind the veils
intoxicated with love
I too dance the rhythm
of this moving world

I have lost my senses
in my world of lovers